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The Happy Hypocrite – Silver Bandage, issue 11
Erica Scourti   (2019)
£4.98

2020 Winter Sale - 50% off our backlist books!

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Including projects by Sophia Al-Maria, Michèle Bernstein, Michael Bracewell & Linder, Pavel Büchler, Helen Cammock, Brian Catling & Iain Sinclair, Tacita Dean, Michael Dean, Mark Dion, Yara El-Sherbini, Ruth Ewan, Liam Gillick, Susan Hiller, Bouchra Khalili, Sharon Kivland, Jarett Kobek, Deborah Levy, Harland Miller, Jonathan Monk, Rosalind Nashashibi, Mike Nelson, Ahmet Öğüt, Katrina Palmer, Bridget Penney, Olivia Plender, Elizabeth Price, Clunie Reid, David Shrigley, Slavs and Tatars, NaoKo TakaHashi, Fiona Tan, Mark Titchner, Emily Wardill & Ian White, and Nina Wakeford, among many others!

As her blood boils, she can't take any more
Of them selling her kind for nothing
She dances zeibekiko on the tables barefoot
A sharpened axe
In her bruised, swollen hands
Loneliness,
Our loneliness,
It's our loneliness I'm talking about
Held in our hands, it's an axe
Above your heads, always circling, circling, circling

– Katerina Gogou*

The Happy Hypocrite – Silver Bandage gathers together new kinds of writing about ‘vibes’, those often unspoken energies of desire and aversion that move between people, palpable but traceless, hard to prove. The messages sent by your gut that you can’t always interpret, beyond an urge. What is intangible – vibes, feelings and reflexive responses like blushes, fidgets, slumps in posture, fluctuations in voice – is now targeted by invasive technologies of affective measurement. How can writing resist this regime of quantification?

With an introduction by Maria Fusco, contributions and new work by CAConrad, Mel Y. Chen, Adam Gallagher, Alexandrina Hemsley, Rebecca Jagoe, Jessa Mockridge, Natasha Papadopoulou, Naomi Pearce, Parsa Sanjana Sajid, Patrick Staff, Daniella Valz Gen, and Hypatia Vourloumis. This issue’s archive is dedicated to Katerina Gogou.

Erica Scourti is an artist and writer, born in Athens and now based mostly in London, whose work explores biographical writing and bodily inscription in the performance of subjectivity. Her writing has been published in Spells, Ignota (2018) and Fiction as Method, Sternberg (2017), among others.

*Lyrics translated by Erica Scourti, from the end of 'I Monaxia' (Loneliness), in Idionimo, 1981.

Weight: 400 g
Dimensions: 300 mm × 200 mm × 20 mm