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Infra thin Projects (2004-2005) curated by Mark Beasely
Overview
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"The possible, implying the becoming - the passage from one to the other takes place in the infra-thin." Marcel Duchamp
Infra thin Projects, examines the limits and potential of the written and spoken word: a retreat to language or a call to arms. Adopting the mechanics of viral infection, the project exists between exhibitions, between spaces and over time. Infra thin Projects toured between London, Birmingham and Manchester. The possible is an infra thin: the writer requires the reader.
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Existential Territories (2008-2009) organised by Jeremy Akerman and Gavin Everall
Overview
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A series of six, monthly events that focus on artists writings, readings, discussion and debate. Themes include: artists publications, nomadism, cosmopolitanism, the avant-garde, transgression, power.
The events prioritise work that carves out new territories and disrupts established forms. No consensus of practice is aimed for, rather these six events present a range of singular and contesting voices, including: Eileen Daly, Dan Fox, Maria Fusco, Robert Garnett, Stewart Home, Andrew Hunt, Nina Power, Clunie Reid, Lynne Tillman, and Mark Waugh.
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Book Works Projects/ Open House (1998-2001)
Publish And Be Damned (1998-1999) curated by MATTHEW HIGGS
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Book Works Projects/ Open House 1998-2001 gave three curators the opportunity
to work in partnership with Book Works to commission, develop and
promote innovative new practices and was initiated to encourage an
active dialogue between artists and curators, and seek out new
audiences.
Publish And Be Damned is a series of four new publications.
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Book Works Projects/ Open House (1998-2001)
access/excess (1999)
curated by STEPHAN KALMÁR
Overview
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access/excess is a series of artists publications that attempt to
locate the individual within a continually developing tangle of
political, cultural, economic and technological systems: a social
architecture that determines our perception of reality, and therefore
our behavior within it. The artists involved show that to occupy a
position outside these [power-] structures and [controlling-] systems
is as impossible as taking a position outside of society; the
individual locked out of one system, will always and inevitably be
locked into another one.
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Book Works Projects/ Open House (1998-2001)
Warm Seas (2000) Curated by CRAIG MARTIN
Overview
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Warm Seas was developed for the third and final year of Open House, by
Craig Martin, who commissioned new books by Rainer Ganahl, Thomas
Hirschhorn, Daniel Jewesbury and Christian Nold. Enveloping these
divergent practices are modes of activity which investigate: the nature
of how the individual operates in relation to the other person;
collective formations; identity as a fluid, hybrid construct; the
function of dialogical relations through group discussn; and
commusnication-based practices. The publications have been accompanied
by events in Bristol, London and Leeds.
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Opus Projects, (2002-2007)
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Opus Projects is a flagship series for Book Works, funded by The Arts
Council of England, Visual Arts: Publications and Recording Fund, and between 2002-2003 co-ordinated by Lisa Panting. The
ambitions of the project were to develop, publish and distribute, with
a publishing partner, a new series of high profile contemporary artists
publications available to an international market.
The presence on the international market was secured through
partnership with D.A.P in the USA. The first four titles were co-published, and
the range of partners reflected the diversity of trends, motivations
and experiences within the field of contemporary art. The series continues to develop with new partners and distributors.
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Fabrications (2006-2009) Edited Gerrie van Noord
Overview
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Fabrications is a series of co-publishing projects published over three years
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Scape Specific curated by Sara Wajid
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Scape Specific is a project curated by Sara Wajid for Book Works, which
explores the evolution of a Muslim vernacular in the British landscape.
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